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 What was there before the after? Reflecting on the Past in Post-Socialist Countries.   
-  Theatre Symposium on Coming to Terms with the Past-
The Slovak Institute in Budapest, (VIII. Rákóczi út 15.)
2008. november 27-29.

Programme Participants

 
 NOVEMBER 27. (Thursday)

14.00 The need of past elaboration, its possibilities and limitations in the present society of each country. The special position and means of theatre in this process. Theoretical aspects. 

Andrea Tompa HU

Making History in the Communist Era. Time, Spaces and Consciousness

 Magdolna Marsovszky HU/D

Past Elaboration, Cultural Politics, Theatre

Joanna Krakowska PL

Societal attitudes and the obstacles of past elaboration. Fear, denial, repression

Anna Czékmány HU

(A)politic theatre. Societal/political meaning layers of theatrical form languages

15.15 Coffee break 
15.30 Discussion
19.00Theatre performances (from the Hungarian and international program of the Contemporary Drama Festival). 

 NOVEMBER 28. (Friday)

10.00The question of political and social responsibility of theatre after the system change at the turn of the nineties.

Martina Musilova CZ

The political role of the Czech theatre in November 1989

Paweł Sztarbowski PL

Social Theatre in Poland. A few Key Points.

Barbara Orel SLO

Theatre as a Political Forum 
The role of Slovenian theatre in the shaping of the social conditions at the downfall of communism

Tereza Sieglova CZ

Amateur Theatre and its Role in the Society Before and After the Regime Changes.

László Eörsi HU

The ’Aczélian’ cultural politics and the Csiky Gergely Theatre in Kaposvár

11.15 Coffee break 
11.30 Discussion
13.30 Lunch

14.00 Possibilities in the theatrical representation of past historical events and eras.

Ildikó Zrínyi Ungvári RO

Ceremony, Body, Drama Form

István Mohácsi HU

What Is There After the Before? – Is it Important to Come to Terms With the Past?

Jan Klata PL

B.Y.O.B. (BRING YOUR OWN BATTLE) Strategic Approach for Past, Present, and Future

Attila Szabó HU

Staging a revolution 
Formal choices in the theatrical elaboration of the 1956 revolution. 

15.15 Coffee break 
15.30 Discussion
19.00 Theatre

 NOVEMBER 29. (Saturday)

09.30 The presentation of everyday life and individual options in written drama and theatre performances. Everyday socialism. 

Jan Simko SK

Memory of Bratislava: THE STORIES FROM PETRŽALKA (Disconnection)

Anja Bajda SLO

Influence of the ideology and major political system on the perception of sexuality in the Slovene post-war dramatic texts 

Miruna Runcan, Constantin-Cristian Buricea-Mlinarcic RO

Everyday Life Drama: An Interdisciplinary Project in Progress

Iulia Popovici RO

The “Return of the gender” in the Eastern European Theatre after 1989. The Romanian Case.

Armin Petras D

Coming to Terms with the Past in the German Theatre of the last 20 years.

10.30 Coffee break 
10.45 Discussion
12.15 Lunch

13.15 Reception forums of the theatrical event, debate on the success and problems of past elaboration.

Jan Jirik CZ

The problems of the language of theatre critics of the late 80ies and methodological problems of traditional theatre studies

Denis Poniž SLO

Autocensorship, a secret weapon of communist regime

Nánay István HU

Metaphorical Speech of Theatre Critics

Radka Kunderowa CZ

What for Are Theatre Reviews from Communist Era Today?

Jászay Tamás HU

To whom do we write? What for do we write?

14.15 Coffee break 
14.30 Discussion
15.30 Break

16.00 Closing discussion about the festival performances with the participants of the criticism seminar.

19.00 Theatre, farewell party